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#Exploration – Il limone lunare Part. 2 (IT, FR, EN)

#Exploration – Il limone lunare Part. 2 (IT, FR, EN)

Il limone lunare consists of two shows that circulate around the work and the writings of the Sicilian activist and poet Danilo Dolci.
This second show, in 4 chapters, is dedicated to artists, writers and activists whose works resonate with the experience of Radio Libera. They all create new soundworks for Radio Commons: Maya Ouabadi, Silvia Maglioni and Graeme Thomson, Lina Issa and Verity Spott.
Find here the first part of this programme.

Curated by Giulia Crisci and Camille Pageard
With the participation of Assemblea delle Lucciole /Diaria

Chapter 1 : Petite histoire d’engagement et de voix
(FR)

A podcast by Maya Ouabadi
At the invitation of Giulia Crisci, Camille Pageard
Sound editing: Daniele Crisci 
With the voices of: Mehdi Ramdani; Hajar Bali

Texts from: 
L’an V de la révolution algérienne, de Frantz Fanon, 1959

Music and sound Extracs: 
Intro music: Daniele Crisci, Madres
Song “Lazem Ntkiya Hadra” de Rabah MBS
Aissa Messaoudi on Sawt el Arab
Extract from a reportage of L’ENTV with Mustapha Toumi
Extract from the play La guerre de 2000 ans, by Kateb Yacine, and coopérative théâtrale de la ville de Tizi ouzou
Extract from the radio broadcast “Sans pitié”, Mohamed Ali Allalou, Baaziz et KG2
Extract from Radio Corona internationale, with Abdellah Benadouda
Extract of kelmetna, with Farida Bouchenaf 

To go further:

Chapter 2 : Field visions notes towards a radio film
(EN)

A podcast by Silvia Maglioni & Graeme Thomson
At the invitation of Giulia Crisci, Camille Pageard
Voices: Silvia Maglioni & Graeme Thomson
Sound design and original music: Graeme Thomson
Text composition: Silvia Maglioni
Texts adapted from Danilo Dolci’s The Outlaws of Partinico, Report from Palermo, Waste, Sicilian lives, Silence doesn’t exist, The Man Who Plays Alone

The transcription of “Field visions notes towards a radio film” broadcast in PDF.

To go further:
http://cargocollective.com/terminal-beach, website of the artists

Chapter 3 : Just fruits
(EN)

A podcast by: Lina Issa
At the invitation of Giulia Crisci, Camille Pageard
Sound editing: Daniele Crisci
With the voices of: Clelia Bartoli; Rodrigo Ghattas-Pérez; Talah Hassan; Hani Al Sawah

Musics and sound Extracts: 
Intro music: Daniele Crisci, Madres
Hani Al Sawah; Bil Share3 “In the street” بالشارع
Santiago Cordoba, Gallo

To go further:

  • The A project, a platforms that aims to reaffirm agency and autonomy in sexuality and mental health, while advancing, through practice and theory, a political discourse around sexual, reproductive, and mental health and seeking alternatives to counteract medical patriarchy’s restrictive and reductive approaches towards all bodies, especially those of women and gender non-conforming people in Lebanon.
  • From Homs to Beirut: Darwish’s Ard al-Samak” interview in Arabic of the Syrain rap artist Hani al-Sawah aka Darwis, 2015
  • En Otros Lugares, Santiago Cordoba

Chapter 4 : Coronelles
(EN)

A podcast by Verity Spott
At the invitation of Giulia Crisci, Camille Pageard
Recording and reading: Verity Spott
Texts from: Cornelles, Veer Book, 2020 (to be published)
Intro music: Daniele Crisci, Madres

The transcription of “Coronelles” broadcast in PDF.

Biographies:

Maya Ouabadi was born in 1988 in Algiers where she lives and works. After studying French literature, she worked for a few years at the Barzakh publishing house, then as an independent publisher. Parallel to her activities in publishing, she was a member of the cultural association Chrysalide and the organizing committee of the literary season in Mali.  In 2018 she founded the publishing house Motifs, which publishes, among other things, the bilingual (French-Arabic) literary criticism journal “Fassl”, which offers in-depth reviews, interviews and portraits of Algerian and foreign authors, as well as unpublished texts.

Graeme Thomson & Silvia Maglioni are filmmakers and artists interested in the porous border between fiction and documentary. Their practice interrogates potential forms and fictions emerging from the ruins of the moving image and includes the creation of short and feature films, exhibitions, sound works, film-performances, radio shows, “vernacular technologies” and books. The artists often make use of cinema in expanded form to reactivate lost or forgotten archives and histories and to create new modes of collective vision and engagement with contemporary thought and politics. Their films have been selected at numerous international festivals and their work is regularly presented in museums and art spaces around the world. They currently live between Paris and Palermo, where they are writing a new film.

My name is Lina Issa, a woman of color, artist, mediterranean, mother, writer, hetrosexual, in ‘full’ physical ability, migrant, multi-lingual… I make performances, videos, interventions in organisations, I curate and facilitate festivals, cultural programs and Table talks, I design and cook food events where embodied memory and storytelling are triggered and guided by tasting and eating. I collect and narrate stories. I wrote a novel and have started writing on methodologies of working with communities, with care at the Museum of World Cultures in The Netherlands and before at the Medical University of Amsterdam. Through my work I find myself creating conditions for personal relationships within complex contexts and for insisting on the personal as political, and creating conditions to practice empathy and hope for they are labour, to unlearn my identity, to listen to and speak through the body, to have detailed encounters, and to establish vulnerability as a Norm.

Verity Spott is a poet, performer and musician from Brighton. Their books include Gideon, Click Away Close Door Say, The Mutiny Aboard the RV Felicity, We Will Bury You, Hopelessness and Coronelles – Set 1. Verity co runs the long running poetry and performance event Horseplay, teaches poetry at New Writing South and is currently the commissioning editor of Contraband Books. Verity plays cello in the free improvisation trio In Threads.

Couverture du livre “Limone lunare” de Danilo Dolci

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